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This image released by A24 shows Hugh Grant in a scene from "Heretic." (Kimberley French/A24 via AP)

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Hugh Grant spent half his career in rom-coms. Now he plays monsters, and he's never been happier
By JAKE COYLE - AP Film Writer
Mon,11/04/24-2:45PM , 52 Reads
NEW YORK (AP) — After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.

“Sorry about that,” he apologizes. “Tech hell.”

Grant is no lover of technology. Smart phones, for example, he calls the “devil’s tinderbox.”
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This image released by Netflix shows custom characters from World of Warcraft and Blizzard Entertainment in a scene from the documentary "The Remarkable Life of Ibelin." (World of Warcraft and Blizzard Entertainment/Netflix via AP)

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In 'Ibelin' and 'Grand Theft Hamlet,' video game realms draw filmmakers with virtual cameras
By JAKE COYLE - AP Film Writer
Tue,10/29/24-2:26PM , 36 Reads
NEW YORK (AP) — Film productions often wrestle with shifts in the weather, the threat of the crew going into overtime or the fading of a day’s light. Less common are concerns over the cast slipping off the top of a blimp.
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This image released by Sony Pictures shows Tom Hardy in a scene from "Venom: The Last Dance." (Columbia-Sony Pictures via AP)

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'Venom: The Last Dance' misses projections as superhero films' grip on theaters loosens
By JAKE COYLE - AP Film Writer
Sun,10/27/24-10:41AM , 43 Reads
NEW YORK (AP) — “Venom: The Last Dance” showed less bite than expected at the box office, collecting $51 million in its opening weekend, according to studio estimates Sunday, significantly down from the alien symbiote franchise’s pre
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Marielle Heller, left, the writer/director of "Nightbitch," and the film's star Amy Adams pose for a portrait during the Toronto International Film Festival, Sunday, Sept. 8, 2024, in Toronto. (AP Photo/Chris Pizzello)

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Amy Adams and Marielle Heller put all of their motherhood experiences into 'Nightbitch'
By JAKE COYLE - AP Film Writer
Mon,09/09/24-2:47PM , 50 Reads
TORONTO (AP) — The day after the premiere of their film “Nightbitch,” Amy Adams and Marielle Heller are sitting in a Toronto restaurant reflecting on all that went into, as Heller puts it, “birthing” a movie that captures some
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